Woman and Adbusters
The representation of black people in each magazine.
Woman magazine's ideology is that there are no black people with wealth or luxury but not featuring any black female models.
Adbusters uses black people in order to express the countries of poverty where the population is predominately black.
Binary opposition between the representation of black people and white people is shown in multiple articles of Adbusters and Woman.
Louboutin commodity fetishism is a binary opposition with the mise-en-scene of poverty.
Red soles are always in season is a hermeneutic code to make the audience wonder whether the tagline is actually talking about the shoes or the damaged soles of the feet accompanying image.
Disagrees with Lisbet-Van-Zoonen's theory of feminism because there is a lack of sexualisation which may be partly due to the culture jamming ideology of the magazine.
Woman on the catwalk is slim which reinforces the fact what she is being compared to a slave in this instance alongside the mise-en-scene of real black slaves.
Representation of black people as impoverished yet determined.
Binary opposition between poverty and success show in this image due to prestigious connotations of being on a fashion show catwalk.
Hermeneutic code is formed through the binary opposition of poverty and success making the audience question whether being a model is similar to being a slave.
The composition and lexis of the double page spread
Woman magazine's ideology is that there are no black people with wealth or luxury but not featuring any black female models.
Adbusters uses black people in order to express the countries of poverty where the population is predominately black.
Binary opposition between the representation of black people and white people is shown in multiple articles of Adbusters and Woman.
Adbusters
Bottle flip flops are symbolic codes of poverty.Louboutin commodity fetishism is a binary opposition with the mise-en-scene of poverty.
Red soles are always in season is a hermeneutic code to make the audience wonder whether the tagline is actually talking about the shoes or the damaged soles of the feet accompanying image.
Disagrees with Lisbet-Van-Zoonen's theory of feminism because there is a lack of sexualisation which may be partly due to the culture jamming ideology of the magazine.
Woman on the catwalk is slim which reinforces the fact what she is being compared to a slave in this instance alongside the mise-en-scene of real black slaves.
Representation of black people as impoverished yet determined.
Binary opposition between poverty and success show in this image due to prestigious connotations of being on a fashion show catwalk.
Hermeneutic code is formed through the binary opposition of poverty and success making the audience question whether being a model is similar to being a slave.
The composition and lexis of the double page spread
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